“All the Saints” from the Book of Hours of Louis de Laval, created around 1480, stands out because it depicts the holy women solely through their halos, transforming the scene into an abstract yet intensely spiritual vision of heaven. Instead of showing faces or bodies, the artist presents a constellation of golden circles arranged in harmonious tiers, suggesting a vast gathering of virgins whose presence is felt rather than seen. The halos themselves become symbols of identity and sanctity, emphasizing that what matters is not the individuality of each saint but the collective radiance of purity and devotion they embody. This minimalist approach heightens the contemplative power of the illumination, allowing the viewer to imagine a celestial assembly that shines beyond physical form, a quiet reminder that divine intercession can be evoked through light alone.