✨ New Arrivals Just Dropped!Explore
HomeStore

Reclining Female Nude, from Rear | Edward Hopper | 1902-04

Product image 1
Product image 2
Product image 3
Product image 4
Product image 5
Product image 6
Product image 7
Product image 8

Reclining Female Nude, from Rear | Edward Hopper | 1902-04

Reclining Female Nude, from Rear | Edward Hopper | 1902-04

About the artwork:

Edward Hopper’s Reclining Female Nude, from Rear from 1902 to 1904 reflects the early academic phase of the artist before he developed the quiet urban realism for which he is best known. Painted during his training at the New York School of Art, the work demonstrates his strong foundation in life drawing and classical composition, with careful attention to anatomy, light, and spatial balance. Unlike the psychological isolation found in his later paintings, this nude study focuses on observation and discipline rather than narrative, revealing Hopper’s commitment to traditional artistic methods. The subdued palette and controlled brushwork suggest the influence of academic instruction and European realism, while also hinting at the introspective atmosphere that would later define his mature work. This early study is important for understanding how Hopper’s technical mastery and sensitivity to form developed before he transitioned into the distinctive modern scenes that secured his place in American art history.

Select Select Size
Select Frame Options
From $89.35

Original: $297.82

-70%
Reclining Female Nude, from Rear | Edward Hopper | 1902-04

$297.82

$89.35

Product Information

Shipping & Returns

Description

About the artwork:

Edward Hopper’s Reclining Female Nude, from Rear from 1902 to 1904 reflects the early academic phase of the artist before he developed the quiet urban realism for which he is best known. Painted during his training at the New York School of Art, the work demonstrates his strong foundation in life drawing and classical composition, with careful attention to anatomy, light, and spatial balance. Unlike the psychological isolation found in his later paintings, this nude study focuses on observation and discipline rather than narrative, revealing Hopper’s commitment to traditional artistic methods. The subdued palette and controlled brushwork suggest the influence of academic instruction and European realism, while also hinting at the introspective atmosphere that would later define his mature work. This early study is important for understanding how Hopper’s technical mastery and sensitivity to form developed before he transitioned into the distinctive modern scenes that secured his place in American art history.